Hired Lover by Fred Martin, an Orrie Hitt Pen Name

midwood - hired lover

Accoridng to Lynn Munroe’s richly informative article on Midwood’s beginnings:

Amazingly, just 5 men wrote almost all of the first 40 numbered Midwoods. This hard-working group (Beauchamp, Lord, Marshall, Orrie Hitt and Don Holliday) carried and established Midwood until [Harry] Shorten was able to build his own stable of regulars –- names like March Hastings, Dallas Mayo, Kimberly Kemp, Joan Ellis, Jason Hytes and Sloane Britain.

Beauchamp was, of course, Robert Silverberg, Lord was Lawrence Block, Marshall was Donad Westlake, Holliday was Hal Drenser, and Orrie Hitt was himself.

Hired Lover is Midwood 13, published in 1959, although there are some early un-numbered Midwoods. Fred Martin was a one shot name for Midwood (and seems to have written one for the short-lived Magnet Books), and the style is easily identifiable: this is an Orrie Hitt book.  You can’t mistake Hitt for anyone else: the set-up, the dialogue, pacing, wrap-up.  Silverberg also did an early one shot, Immoral Wife by Gordon Mitchell (Midwod #11), that I discussed in this blog a while ago.

The question is: why these one-shot names?  Was it Midwood’s idea, to look like they had more than the same writers, or Scott Meredith’s, since the mauscripts came from the agency blinded as to the true writer’s identity. After all, Silverberg did an early Midwood, #7, Love Nest by Loren Beauchamp (see my review), and Beauchamp was his continued name for a dozen more titles from 1960-1963.

Munroe also notes:

Although nobody at Midwood knew it then, most of the books were by the same writers turning out the Nightstands. For example, Loren Beauchamp (Robert Silverberg) would become Don Elliott a year later at Nightstand, Sheldon Lord (Lawrence Block) would become Andrew Shaw. Some of the writers, like Alan Marshall and Clyde Allison and Al James, used the same name for both.

Midwood - Call Me MistressI have another early, un-numbered Midwood, Call Me Mistress by Tomlin Rede, and I wonder who wrote this one.  I haven’t read it yet but on quick glance, the style seems like early Westlake/Alan Marshall.

Call Me Mistress is a crime noir set in Hollywood and among syndicate crime lords, wuth a dash of lesbiana tossed in.  I will be getting to this book soon after I do my reading stint of campus sex books and lesbian titles.

Back to Hired Lover — yes, one of many Orrie Hitt’s novels but the name is not listed among Hitt’s pen names (Nicky Weaver, Kay Addams).  I Feldspar - Squeeze Playhave two Kozy Books by one “Walter Feldspar” (Loose Women and Squeeze Play) that look like they may be Hitts (there’s also a Beacon Hitt book called Loose Women) — Feldspar only penned two books, and for Kozy, and Hitt wrote many for Kozy as himself, Weaver, and Roger Normandie…like Lawrence Block and Robert Silverberg and others, there are pen names used that are not always associated with these writers, either overlooked by bibliographers or not admitted to by the writer (or remembered).

Hitt - Loose Women

Hired Lover is a first-person tough guy story — Mike has left Los Angeles after a bad incident and is in Chicago, where he has ties.  He’s working as a driving instructor when one day a gorgeous dame in her mid-20s, Kitty, is his student…she takes him to her mansion, gives him booze and fucks him.  She’s married to a rich old man — short fat,bald and ugly — whom she met when she was a nurse and he was in the hospital in diabetic shock.

As luck would have it, the rich man’s chaueffer just quit and he needs a new driver. Kitty suggests her hubby hire Mike — he can live in the apartment above the garage, where she can visit him for illict sin and lust.

While Kitty and hubby are away on a trip, Mike looks up an old business buddy who runs a stripper club.  One of the strippers has her sister, Ruth, with her — new in town, fresh from Ohio farmland, 18, a virgin, and ignorant of the big bad ol’ world of strippers, whores, booze and crime that her sister is involved with.  Mike manages to talk her out of going down that road — he’s no hero, since he also gets her drunk and takes her virginity, being 10 years older than the girl.

Right off, we know that Mike will end up with Ruth as his wife in the end.  This is typical of Hitt’s novels, mostly for Beacon — similar to the set-up of The Promoter, that I talked about last week.

(An aside: Beacon and Softcover seemed to require, as with lesbian novels, that the hero or heroine redeem and depent tgheir sinful ways by book’s end, married and in the arms of someone good, man or woman.  This does not seem to be the case with Hitt’s titles for Sabre and Novel Books — in fact, Novel gave Hitt carte blance to “take the gloves off” and write what he wanted, free of market and genre constraints.  I will be talking about a few of those in the near future.)

The set-up for Hired Lover isn’t new in sleazecore: the wife convinces the lover that they have to murder the old rich husband so they can be together and get rich.  That never works out, of course, and the wayward wife gets hers in the end — in this case, she has set up Mike in cahoots with the head butler/valet of the mansion. And the hero repents and finds love in the arms of a younger, less gutter-drivem woman, in this and other Hitts.  Mike, on the run from the set-up murder, is aided by young Ruth.  The cops wind up arresting the wife and the valet, but Mike is still guilty for the murder, and had helped plan it.  He married Ruth, but is dying from tetnus due to a untreated gun-shot wound.  The novel ends with Mike on his deathbed, confessing the murder to a Catholic priest, and holding his young wife’s hand, whom he has impregnanted so she will have something of his left.  It’s a sad ending, in a way.

Hired Lover is a great read, however, and if you dig Orrie Hitt, you will dig this — and it’s too bad that Hitt fans may miss this one,  so this blog/review will serve as a pointer for anyone doing research on Hitt.

4 Responses to “Hired Lover by Fred Martin, an Orrie Hitt Pen Name”

  1. Brian Ritt Says:

    I’m on page 76 and the book is excellent so far.
    By the way, are you a fan of James Ellroy’s writing?

  2. orriehittfan Says:

    The Devil Dog of American Literature? Big fan, although I have not read his last two, they’re huge…favs of course are The Big Nowhere and Black Dahlia; Killer on the Road is cool, and his early PI stuff interesting…he always has epople breaking into homes, he was a burglar when he was a young criminal.

  3. Brian Ritt Says:

    Yeah, I know a fair bit about his life, through reading MY Dark Places, reading and listening and watching interviews with him on the net,watching 2 or 3 documentaries about him, and watching him speak both at bookstores and the Egyptian Theatre when they have their film noir festival. Reason I ask–his new book, Blood’s A Rover, was recently published, and he’ll be speaking at Vroman’s Books in Pasadena on Thursday, October 29 at 7pm. You have any interest in going? If so, maybe I could meet you there. No matter how many times I’ve seen him, he’s always entertaining.

  4. vintagesleazepaperbacks Says:

    I’m afraid I never go anywhere near Pasadena. We shot the interior scenes to my movie THE WATERMELON there, as the film company rented a house there, which was supposed to be on a beach down in San Diego, tho that was shot in Malibu at Bruce Willis’ house (next to Barbara Steistand’s). How did I use Bruce’s piece of beach is a long story for another venue.

    Anyway, I was forced to be in Pasadena for the film shoot, much to my chagrin — gorgeous house, wish it had been somewhere else.

    I am curious about the title of his new book, BLOOD’S A ROVER, which is the title to a novel Harlan Ellison has been working on since 1968 — the full version of “A Boy and His Dog,” a novella that was meant to be only a section of a 90K word novel. Ellison published VIC AND BLOOD which has two short stories and graphic versions of all three, but still not the complete novel. I have a short article about it in an issue of Science Fiction Studies. But why has Ellroy swiped the title, which is so distinct and well-known as Ellison’s never-ending novel?

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